Seein’ as how this here is my 100th post to the Soapbox, I thought I’d elevate the sexy a bit and make sure this one was a step above my usual quality. This one goes out to Nathaniel, since I still need to loan him some CD’s of some quality jazz.
To that end, I’d like to take some blog space to provide y’all with some of my recommendations for influential jazz artists worth giving a listen. Keep in mind that these are the opinions of an enthusiast (not an expert), that the categorical boundaries are blurry at best, and that most of the artists listed do not squarely fit into any one particular category (but they’ve been listed under a moderately appropriate one anyways). Given that, here’s what is guaranteed to be an incomplete and vaguely chornological list, but it’s not a bad starting point for those interested in finding out more:
Early Small Combo (Dixieland) Jazz = Louis Armstrong, Fats Waller, Bix Beiderbecke, Jack Teagarden, Jelly Roll Morton, Eddie Condon, Sidney Bichet
Swing/Big Band = Duke Ellington, Count Basie, Fletcher Henderson, Benny Goodman, Jimmy Lunceford, Lionel Hampton, Lester Young, Coleman Hawkins, Django Reinhardt, Ella Fitzgerald, Billie Holiday, Sarah Vaughn
Bebop = Charlie Parker, Dizzy Gillespie, (early) Miles Davis, Max Roach, Ray Brown, Thelonius Monk, Bud Powell, Oscar Peterson
Cool = Dave Brubeck, Stan Getz, Woody Herman, (middle) Miles Davis
Hard Bop = Cannonball Adderly, Nat Adderly, Art Blakey, the Jazz Messengers, Sonny Rollins
Afro-Cuban & Latin Jazz = Stan Kenton, Dizzy Gillespie (particularly his big band works), Arturo Sandoval
Modern = John Coltrane, (late) Miles Davis, Charles Mingus, Duke Ellington (”Money Jungle” album, in particular), Wes Montgomery,
Lionel Hampton, Oscar Peterson, Shirley Horn
Free Jazz = Ornette Coleman, Sun-Ra
Jazz-Rock/Post-Modern/Fusion = Chase, Don Byas, Chick Corea, Herbie Hancock, Wayne Shorter, Joe Zawinul, Weather Report, Pat Methaney
One final note: the artists listed above are, for the most part, historical, but there are those of younger generations who still carry the torches of these eariler movements. Wynton Marsalis, for instance, is quite the accomplished traditionalist, and steadfastly continues performing in the styles of Early Small Combo and Swing era jazz.